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Mode four lends itself to broader curves with a more gentle approach and is often used for mastering.Ī fifth mode is available to those using Pro Tools HD and/or HDX systems.
#SONNOX OXFORD GML 8200 SERIES#
The third mode offers up more console EQ sounds similar to Neve and SSL G series equalizers. Mode two is used primarily for cutting of problem frequencies, utilizing higher Q control settings to make these surgical cuts. The first mode reacts similarly to an SSL4000 E series EQ. The EQ has become known for its versatility due to its offering of four modes that shape how the EQ behaves. The high and low bands also allow for shelving outside of the high and low pass filters that are available. The Oxford EQ is a five-band parametric equalizer that is based on the EQ section of the Sony OXF-R3 digital console that helped push us into the digital revolution.Įach band has frequency selection and control over the width of the curve via the Q control. It should be no surprise that their EQ makes this list. From their praised mastering limiter to mixing tools such as reverb and de-essers, their plugins have received rave reviews for their attention to design and audio quality. Sonnox has established itself as a leader in high-end plugin making. The Sonnox Oxford EQ is a versatile Mastering Plugin. Often imitated, but never replicated, FabFilter’s Pro-Q has revolutionized what EQ plugins are all about. Pair all of these features with one of the best graphical interfaces in plugin design, and you are set to have a great experience with great results. This equalizer can handle anything you throw at it and its feature set lends itself to the most complex mixing or mastering session. You can set the specific low mid frequency to only affect the side information from that same plugin instance, without having any effect on what your initial changes are doing to the stereo image. For example, you may want to make broad changes across the stereo track, but you notice that the sides need a little less low mid. The best part of this feature is that there is still no need to run multiple instances of the plugin.
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The plugin can be set to have control over just left, right, mid, or side. When the frequencies you are looking to affect are isolated to only one part of your track, the per-band processing comes in handy as well. This can prove useful when static frequency correction isn’t doing the trick. Think of a combination of a compressor and an EQ. The dynamic EQ mode allows the Pro-Q to react to the incoming signal and only filter out frequencies when they exceed the set threshold. Version three adds an optional dynamic EQ mode, brickwall slopes for high and low pass filters, per-band mid/side processing, and collision detection via spectrum visualization.
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To build upon great sound, this plugin allows for up to 24 individual bands for complex equalizing jobs without the need to run multiple instances of the plugin. To start, the FabFilter Pro-Q offers fantastic sound quality at its core making it well worth the money spent. Most recently, version three expanded on its abilities offering more functionality in an already amazing package. Since then, it has seen a couple of major updates. Originally released in 2011, the Pro-Q has garnered quite a reputation. When you talk to any engineer working with EQ plugins, the FabFilter Pro-Q often comes up somewhere in that conversation. FabFilter Pro-Q offers immense flexibility with low CPU usage.